Wireless technology, the first text message…
Exhibitions in the Museum are enhanced by the vivid use of graphic panels, display cases, audio-visual aids and tableaux.
Throughout the year we host a number of temporary exhibitions.
See below for details of permanent exhibitons which include: Command and communication vehicles and kit, Women at war, Animals at War, The SOE, Post-war conflicts, UN and Peace-keeping,
There is good wheelchair access to all exhibitions and museum facilities.
Royal Signals in the Balkans Exhibition
Marking 30 years since Operation GRAPPLE, in 2022 we launched an exhibtion exploring the work of the Royal Corps of Signals in the Balkans throughout the 1990’s and early 21st century.
Utilising a new series of oral history interviews, the gallery tells the story of how the Corps played a major role in providing strategic and in-theatre communications.
The exhibition charts the Corps’ evolving involvement in peacekeeping operations, from its initial deployment in 1991 European Community Monitoring Mission to the hundreds of signallers deployed on operations in support of the UN and NATO. This includes Operations GRAPPLE, HAMDEN and Palatine to Bosnia as well as Operation AGRICOLA to Kosovo and Operation BESSEMER to Macedonia.
Click on the titles below for more information on some of the current exhibitions
We cannot guarantee all exhibits will be available at the time of your visit and the list below is not comprehensive. If you are visiting for a specific exhibition or artefact please contact the museum prior to your visit,
Milne & Tolkien
Milne & Tolkien Winnie The Pooh and Lord of the Rings
What do Winnie-the-Pooh, The Lord of the Rings and Military Intelligence have in common?
World War One Signals Officer’s A A Milne and J R R Tolkien – A new display at the Royal Signals Museum, Blandford, Dorset.
On 1st August a new display opened at the Royal Signals Museum illustrating the fascinating stories of Signal Officer’s Lieutenant A A Milne, Royal Warwickshire Regiment, and 2nd Lieutenant J R R Tolkien, 11th Lancashire Fusiliers.
Lt A A Milne
In the early summer of 1916, after Signals Training Lt A A Milne and 2nd Lt J R R Tolkein, were ordered to France, just before the start of the Somme Offensive. On arrival both were rapidly deployed and quickly experienced the horrors of trench warfare and the unspoken bravery of the British Tommy. They spent their time laying and repairing communications “line” and providing visual signalling for their Regiments and Battalion. Before the year had ended both contracted trench fever and were sent back to England to recover.
- Discover their stories and the impact that these events had on their lives, their writing and the characters in their books.
- See the GREEN BOOK – The only one on display in the World and never seen on display before.
After his recovery A A Milne was selected to command one of four companies at the Signalling School in Portsmouth. But before long his literary skills were recognised and he was commissioned by the Military Intelligence Branch MI7b – Propaganda. He remained there throughout the rest of the war writing positive stories of British heroism and adverse stories about the “Hun Corpse Factories”. Milne was one of many famous literary figures who worked for MI7b, which included Irish Poet, Patrick MacGill, Cecil Street, Roger Pocock and F D Grierson.
In 1919 after the armistice the authors from MI7b met in London, one final time. They decided to write a short magazine this would be known as The Green Book.
Shortly after this all documentation from MI7B was ordered to be destroyed. Almost 100 years later over 150 documents were discovered in a welsh loft by Mr Jeremy Arter, great nephew of Capt James Lloyd, one of the authors of the Green Book. In the documents was an original copy of the book itself, thought to be one of only two left in existence – the other copy held by an American Library.
Museum Business Manger commented; “ It is a real honour and privilege to display the sole surviving accessible copy of this book, with all its proven provenance. This will be the first time it has ever been on public display – not just in the UK but as far as we know – worldwide. The connection with Milne and these other authors from almost 100 years ago, is almost tangible.”
Mr Arter goes on to explain the Green Book itself.
“The Green Book was a valedictory in-house magazine probably printed in no more than 20 copies, for each of the people who probably had a farewell dinner at one of the London clubs. In it they vent their spleen and humour at the war and at each other … It’s a priceless document. Great Uncle Jim broke every rule in the book to preserve it.”
In a series of poems, Milne, and the other authors contributed poems in a variety of classic styles. Milne imagines how “some earlier propagandists” might have approached having to “lie” about the “atrocities” of the war.
Capt William Shakespeare of a Cyclist Battalion
Who loves to lie with me
And Hun Corpse Factories
Come hither, come hither, come hither
Here shall he see
But sit all day and blether.
Capt James Lloyd had particular responsibility at MI7b for “Tales of the VC” – articles illustrating the heroism of the British Tommy and our allies, all of whom showed heroism above and beyond the call of duty. We will publish more information on these at a later date.
Winnie the Pooh
Also in the exhibition, Find out how Edward the Bear, teddy of Christopher Robin, found his new name after a visit to London Zoo. Canadian military vet Lt Harry Colebourn bought a bear cub for $20 on the platform of Ontario Station. He called her “Winnie” after his hometown of Winnipeg – how then did Winnie end up in London Zoo?
Lt J R R Tolkien, Lord of the Rings and Samwise Gamgee
Did Tolkien’s experience in the trenches, evoke the dark menace of Lord of the Rings and how did an Army Surgeon help to create one of his major characters?
After “joining up” 2nd Lt J R R Tolkien was sent for officer training in Staffordshire and specialist signal training in Otley, Yorkshire. He married in March 1916 and in June was ordered to France. “Junior officers were being killed off, a dozen a minute. Parting from my wife then … it was like a death”, he said.
He landed in Calais on 6 June 1916, joining the 11th Lancashire Fusiliers at Rubempré, north of Amiens, on 28 June.
On 1 July 1916, on the first day of the Battle of the Somme, his friend Rob Gilson led his men over the top at Beaumont Hamel. He and his sergeant-major were killed in the same shell burst. During the battle more than five hundred of the Cambridgeshire’s were killed or wounded. The 11th Lancashire Fusiliers lost 267 men in a fortnight in July, and on 21st July Tolkien was promoted to Battalion Signals Officer, and probably to acting full lieutenant.
Later that year he caught trench fever, an illness carried by lice, and was sent back to England. During his convalescence, he began writing down the stories and mythology of Middle-earth, which would form the basis for The Silmarillion.
“An author cannot of course remain wholly unaffected by his experience,” Tolkien acknowledged.
In the foreword to the second edition of The Lord of the Rings, Tolkien wrote, “By 1918, all but one of my close friends were dead.” The reader cannot help but notice that the Dead Marshes of Mordor is eerily reminiscent of World War I’s Western Front and its utter devastation of life.
Tolkien’s characters also show signs of inspiration from his wartime experiences. Samwise Gamgee, thought to be named after a Doctor who treated him when ill, is thought to represent the stoic Tommy.
Women at war
Women at War
The Women at War exhibition aims to engage and enthuse people of all ages, but particularly children by telling the story of women who joined the services and had an active, military role.
The Women at War project aims were neatly summarised by former SOE agent Gervase Cowell’s comment to Her Majesty The Queen, in 1999, when he was appointed MBE and she asked him what he was doing now:
‘I help the old to remember and the young to understand.’
The story of Landgirls and women factory workers during the war is well known but little has been done to depict the role of women within the military.
With particular concentration on the The FANYs, SOE and ‘Y’ Service Women at War illustrates the essential ‘front line’ role of women during the war and in civil emergencies during peacetime.
The FANY was formed in 1907 with the purpose of assisting the Military and Civil authorities in times of Emergency. During the First World War, they had a wide ranging role and by the Armistice had been awarded many decorations, including 27 Croix de Guerre. The SOE and “Y” Service had similarly impressive roles.
This exhibition offers insights into the nation’s heritage and the sometimes hidden but formative role of women within our society. Furthermore it illustrates the bravery, sacrifice and achievements of these women who protected our community and our freedom.
Royal Signals in British Army of the Rhine (BAOR)
The British Army has served in Germany since the end of the Second World War, first as an Army of occupation then as part of NATO.
Rapid reaction units from BAOR were on stand-by – to move at a moments notice – to anywhere in the world. Contingents from the Royal Signals in BAOR took part in the Falklands campaign and in the Gulf War and were part of the peace keeping force in Bosnia and Kosovo.
There is a wide range of equipment in the Museum covering service in BAOR including:
- Bruin, an ‘off the shelf’ trunk communications system
- Ptarmigan – a bespoke system which emerged in 1970 – complete with kit, mast and backroom. It was running computer networks and digital information systems so at the time, the extent that you could communicate within the military was astonishing. Over time the voice requirement remained stable but the requirement for data transmission grew exponentially. Today approximately 10 per cent of the traffic is voice and 90 per cent data. Intelligence, surveillance, target acquisition, and reconnaissance (ISTAR), imagery and other information is key. This change in the type and nature of communications led to Ptarmigan being replaced by Falcon in circa 2010) and designed by BAE Systems.
- Falcon – a tactical trunk communication system providing a wide area network (WAN). Designed to deliver secure voice and data over an IP (Internet Protocol) system across multiple security domains Falcon requires less man-power to operate than Ptarmigan. Falcon uses All-IP-based technologies rather than a mix of asynchronous transfer mode and IP systems; importantly it can be set-up and dismantled rapidly.
- Electronic Warfare and other specialist kit.
- The Fish Fryer (officially named the ‘3/4 Ton Body Comms Equipment’) – a specially designed portable covered trailer towed by a landcover, that could house a variety of equipment.
- A C50/R236 Radio Relay Station used in the BRUIN system from 1968 to about 1985
- Larkspur – the post-war range of radios introduced in 1958 to replace the war-time sets.
- Clansman which, in the late 1970s replaced Larkspur.
Animals at war
Animals at War
This fascinating exhibition includes:
- A converted bus Pigeon Loft used at the Front during the First World War.
- An expanded display featuring Dogs, Pigeons and other animals which have had important wartime roles in Army signalling.
- The bravery of pigeon ‘William of Orange’ and how he won the animal’s Victoria Cross at Arnhem.
Royal Signals Uniform Display
Royal Signals Uniform Display
The origin of British military uniforms can be traced back to the New Model Army raised by Cromwell during the Civil War. His soldiers were uniformly dressed in red and this became the standard colour for British Army uniforms until it was replaced by khaki during the Boer War.
The Corps has a proud tradition of its various forms of uniform. The Corps Band, 34 Signal regiment Band and the Corps Pipes and Drums are colourful examples of Corps uniform history.
The Royal Corps of Signals originally adopted a red jacket for its full dress uniform, but now only the Royal Signal Band continues this tradition.
Military uniforms throughout the ages, from the red jacket through to the well known khaki uniform, can be seen on display in the Museum. UN, Middle East, Gurkha and early combat uniforms are among the uniforms on display in the museum.
Colonel Commandant Display
The first titular head of the Royal Corps of Signals was Lieutenant General Sir John Sharman Fowler, KCB, KCMG, DSO. He was GOC British Forces in China from 1922 to 1925 and was appointed the first Colonel Commandant of the Royal Corps of Signals in 1923, serving in that capacity until 1934. Artefacts brought back from China such as silver and brass bowls can be seen on display.
Some of his personal belongings such as his medals, his silver cup for best rifle shot, plotting scales and drawing set and army issue watch, have been donated to the Museum.
Colonel in Chief
In 1935, to mark the occasion of his Silver Jubilee, King George V appointed HRH The Princess Royal to be Colonel-in-Chief, Royal Corps of Signals. For thirty years Princess Mary took an interest in the Corps until her death in 1965, which was mourned by the whole Corps. The regalia of Princess Mary on display together with other artefacts.
In 1977 Princess Anne was appointed to be the new Colonel-in-Chief of the Corps. Since then, the Princess Royal, has remained in the appointment and Her Highness regularly visits units of the Corps throughout the world.
Middlesex Yeomanry Display
In 1794, faced with the threat of an invasion by the French, the British Government supplemented the Army by raising a volunteer force. Members attended eight days annual training and could be used to defend their local area against civil unrest or foreign invasion. The Cavalry part of this force was known as the ‘Gentlemen and Yeomanry Cavalry’ and in 1908 it became the 1st County of London Yeomanry, providing companies for the Imperial Yeomanry during the BOER War.
In 1920 it became the 2nd Cavalry Divisional Signals and is now represented by 47th (Middlesex Yeomanry) Signal Squadron whose members still proudly wear the unique badges of rank and cap badge of the Middlesex Yeomanry as members of 39 Signal Regiment (V).
The uniform and badges worn by the Yeomanry as well as various trophies and swords are on display. These have been donated to the Museum by the Middlesex Yeomanry.
The jeep was produced in response to a 1940 tender request for an initial 70 vehicles by the US Army Quartermaster corps. The companies tendering were required to produce a prototype four wheel drive quarter ton payload vehicle weighing less than 1300 pounds within an incredible 49 days. The American Bantam Car and Willys Overland Inc were the only two of the 135 invited companies to respond and 47 days after tendering, Bantam delivered their prototype to the army for testing. Willys in the meantime had requested an extension to 120 days due to delivery issues with axle parts and thus, along with observers from Ford, had a golden opportunity to view the early testing of the Bantam.
The Bantam tested out reasonably well, but reservations were expressed about its power as well as the ability of the Bantam Co to supply the number of vehicles that would be required by the army following the initial small batches. The test Bantam was followed in late 1940 with the delivery of the first Willys Quad on 13th November and ten days later with the prototype Ford Pygmy. The Willys was some 500lbs heavier than the Bantam but outperformed it thanks to the Quads powerful ‘Go Devil’ 60 horsepower engine.
Performance on the Ford model was good as well so the army decided to order 500 of each model for field testing…the rest is history. The Willys Jeep was introduced into the British Forces in 1941. By the end of the war over 40,000 had been used by the Army. It was used extensively in the airborne landings in Europe by the Airborne Divisions. It had a top speed of about 105kph.
For more information see: www.willys-mb.co.uk
The Landrover is painted in this shade of pink as it provided the best camouflage in the deserts of Aden and the Gulf states.
It is equipped with the following communications equipment:
- Wireless Set No 123. A lightweight, miniaturised, High Frequency radio. The operational range is up to 500 miles. It is a morse only set and would be used to work back to a base station.
- Radio set No A41. A man pack VHF set with a working range of 5-10 miles. This set would be used to work to supporting infantry Units.
- Radio set No A43R. This is a ‘ground to air’ radio working to aircraft. It operates in the UHF band. It can also be used as a beacon so that aircraft can ‘home in’ on its signal. Ranges worked vary from up to 40 miles ground to air on a whip aerial, to 130 miles using the elevated discone, working to an aircraft at 30,000 feet.
This ‘Tracked over-snow vehicle’, more commonly known as the Snowcat was in service from 1962 to 1981. It was used as a communications vehicle by 249 Signal Squadron and would have a C42 and C11/R210 VHF suite of radios. The vehicle had a Volvo B18 engine and was capable of 40kph for a range of about 400km.
The Museum has a fine display of approximately 350 sets of medals. Many of the medals have been presented to the museum by the recipients themselves or by their relatives.
The Medal Memoir Books held in the Gallery contain a short history of each individual whose medals have been presented to the Corps and are displayed in the cabinets. Gallantry Awards Board can also be found within this section.
The Museum is delighted to have acquired the George Cross of Signalman Kenneth Smith GC.
‘The Corps history in Northern Ireland is an astonishing record of bravery by individuals but little will ever be fully published on account of security’ – The Vital Link.
Equipment on display at the museum
- Larkspur – used at the outset of ‘The Troubles’ the range included the A41, C11 and C4.
- Commercial radio – Larkspur was supplemented by commercial radio – mainly PYE and Stornophone. Much of the early communications was by land-line using secure or less than fully secure systems.
- Heli-Teli – soldiers of the Corps were responsible for operating the GEC-Marconi Heli-Teli – the ‘spy in the sky’ – used from 1975 to the mid-90s. There is a specimen in the museum.
- Clansman – introduced circa 1982 More sophisticated use was being made of cryptography and of modern technology over fixed lines and radio relay.
Sport and artistic achievements
Sport and artistic achievements
The Corps has a long and successful tradition in athletics with members of the Corps representing Great Britain in the Olympics and Commonwealth Games. Royal Signals canoeists have also been highly successful. Sergeant S N Jackson (later Major) won the world championship in 1983 and three other members of the Corps have represented their country.
Within Army competitions units of the Corps have held a wide range of Army trophies for every sport that is played. The Corps has always been particularly strong in rugby, football, hockey, athletics and golf.
Corps members have achieved international status in shooting, squash, gliding, skiing, bobsleigh and fencing. Medals awarded to these achievers are held in the Gallery along with various paintings by artists depicting events throughout the history of the Royal Engineer Signals and the Royal Signals.
16 Air Assault Brigade
16 Air Assault Brigade
Learn about the ‘Maroon Berets’
The newest fighting arm of the Army, with a Parachuting capability, providing high-tech rapid response in all theatres of war, is revealed in an exhibition at the Museum. The history and role of 216 (Parachute) Signal Squadron is explained.
The Gulf War
Royal Signals in The Gulf War 1991-92
The first Iraqi troops to be taken prisoner were captured by Royal Signals
The Royal Signals were tasked with providing both long distance communications from the Gulf region back to UK, and tactical communications within the theatre of operations. Interoperability with allies was a major technical challenge.
The Gulf War also saw the use of Electronic Warfare equipment under armour for the first time in the British Army. A major aspect of the use of communications as a potent weapon was in deception; the nature and location of the main Allied attack was concealed and falsified by the use of extraneous transmissions by Signallers.
Equipment at the museum
Ptarmigan – The Gulf War saw the first operational deployment of Ptarmigan. This complete mobile area system provided secure telephone, facsimile, data and telegraph facilities to any user anywhere on the battlefield. The system was also extended world-wide by satellite links. The war also saw the introduction of a plethora of ‘off-the-shelf’ Information Systems. Many of these were managed by Royal Signals and the provision of appropriate communications for them was a major technical commitment. The climatic and geographical conditions provided considerable challenges to communicators but The Clansman family of radio equipment worked extremely well in the adverse desert conditions.
Russian radio sets used by the Iraqi Army along with other equipment were captured and can be seen on display in the Museum.
Operation Secret Waves
Operation secret waves
The interactive Centre was created, supported by the National Lottery through the Millennium Commission.
The Museum contains a small gallery where temporary exhibitions can be mounted. Such exhibitions may be created from material held in the Museum’s reserve collections, from touring exhibitions, or from items on loan from other museums, industrial concerns or private individual